
Fairgoers representing the Pinto Art Museum in the Philippines.
KATHERINE MCMAHON
This 2019 edition of Armory Show opened to members of the press and VIPs on Wednesday, March 6. The fair, which has brought 198 exhibitors from 33 countries to New York, is celebrating its 25th anniversary this year. After a slight hiccup two weeks before the fair, with most of Pier 92 being declared unsafe for usage at the event, the Armory Show opened with the usual fanfare and sales on Piers 90 and 94. Below, a look at some of the work on offer, including Mark Dion in his lemonade stand, an unmissable Sadie Barnette installation at Charlie James Gallery, and a choice 1979 painting by Miriam Schapiro.
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A scene from the fair.
KATHERINE MCMAHON
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Stephanie Syjuco, I Am An…, 2019, in the booth of Ryan Lee, of New York.
KATHERINE MCMAHON
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Zak Ové, Rumplesteelskin, 2017, in the booth of Lawrie Shabibi, of Dubai.
KATHERINE MCMAHON
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Paintings by Ajarb Bernard Ategwa in the booth of Jack Bell Gallery, of London.
KATHERINE MCMAHON
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Galleries Carrie Secrist in front of her booth, where she’s showing Liliana Porter.
KATHERINE MCMAHON
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Liliana Porter’s Forced labor: Black Sand II, 2018, in the booth of Chicago’s Carrie Secrist Gallery in the Focus section.
MAXIMILÍANO DURÓN/ARTNEWS
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The VIP area on Pier 92 where a number of the fair’s exhibitors were supposed to be showing.
KATHERINE MCMAHON
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Mark Dion, Lemonade Stand, 1996, and Renee Green’s The Pigskin Library, 1990, as showcased by the Armory Show and Galerie Nagel Draxler, of Cologne and Berlin.
KATHERINE MCMAHON
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Mark Dion in his Lemonade Stand.
MAXIMILÍANO DURÓN/ARTNEWS
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Nari Ward, Jacuzzi Bed, 2013, in the booth of Galleria Continua, of San Gimignano, Italy; Beijing; Les Moulins, France; and Havana.
KATHERINE MCMAHON
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Pascale Marthine Tayou, Plastic Bags, 2019, in the Platform section of the show.
KATHERINE MCMAHON
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Brian Dewan, What will you do with your freedom?, 2019, in the booth of Pierogi, of New York.
KATHERINE MCMAHON
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Brian Dewan activating What will you do with your freedom?.
MAXIMILÍANO DURÓN/ARTNEWS
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Brie Ruais, Interweaving the Landscape (four times 130 lbs), 2018, in the booth of Albertz Benda, of New York.
KATHERINE MCMAHON
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A colorful jacket worn by a fairgoer.
KATHERINE MCMAHON
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Installation view of the booth of Galerie Tanja Wagner, of Berlin.
KATHERINE MCMAHON
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Installation view of Xaviera Simmons, Chord, 2019, presented by David Castillo Gallery, of Miami Beach.
KATHERINE MCMAHON/ARTNEWS
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A sculpture by Graham Collins and painting by Matt Kenny in the booth of Halsey McKay, of New York.
KATHERINE MCMAHON
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Installation view of Sadie Barnette’s work at the booth of Charlie James Gallery, of Los Angeles.
KATHERINE MCMAHON
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Per Barclay, Untitled, 2018 in the booth of OSL Contemporary, of Oslo.
KATHERINE MCMAHON
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Moffat Takadiwa, Bottled Water, 2019 in the booth of Nicodim Gallery, of Los Angeles and Bucharest.
KATHERINE MCMAHON
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Frederick Solmi, The Ringmasters, 2019, in the booth of Ronald Feldman Gallery, of New York.
KATHERINE MCMAHON
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Nick Cave, Hustle Coat, 2018, in the booth of Jack Shainman Gallery, of New York.
KATHERINE MCMAHON
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Ryan Gander, Het Spel (My neotonic ovoid contribution to Modernism), 2019, presented by Lisson Gallery, of New York and London.
KATHERINE MCMAHON
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Arcangelo Sassolino, Mai più come prima., 2018 in the booth of Repetto Gallery, of London.
KATHERINE MCMAHON
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A sculpture by Mounir Fatmi in a solo presentation by Milan’s Officine dell’Immagine, as part of the Focus section.
MAXIMILÍANO DURÓN/ARTNEWS
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View of the booth of New York’s 303 Gallery showing a sculpture by Alicia Kwade, foreground, and a four-panel work by Rodney Graham.
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View of the booth of San Francisco’s Jessica Silverman gallery.
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Inside Leo Villareal’s Star Ceiling, 2019, an Armory Show Special Project, presented by Pace Gallery.
MAXIMILÍANO DURÓN/ARTNEWS
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Miriam Schapiro’s Fan of Spring, 1979, in the Focus section, at Eric Firestone Gallery’s booth.
MAXIMILÍANO DURÓN/ARTNEWS
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Andrew Ohanesian’s P.O.S., 2019, with signed receipts. The artist would charge visitors’ cards for a minimum of $5 as part of the activation of the work.
MAXIMILÍANO DURÓN/ARTNEWS
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David Shrobe’s Baptized by the Sound of Horns, 2019, in the Focus section, on offer by Jenkins Johnson Gallery, San Francisco and New York.
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